|
THE
READER : I AM THE BASTARD SON OF BUCK ROGERS.
Yes, at last the truth can be revealed; Buck Rogers
is my father. The USAF serviceman who fell asleep for 500 years,
and awoke in a changed world to do battle with Mongols, Martians
and mutineers, was my pa. It was from him that I inherited my
daring do and my Pepsodent smile. Yes sirree.
Since I'm in a confessional mood, I ought also
to admit that my mother is the Amazonian princess known to the
world at large as Wonder Woman. She wears satin tights, and more
importantly, she fights for your rights. In the old red, white
and blue, no less. I have her eyes, her nose, and her bracelets
of submission.
It made for an interesting childhood. My mother
was always instilling in me the virtues of feminism, while my
father drilled me on space flight. I would be dropped off for
school in a rocket ship, then picked up in the afternoon by an
invisible plane. I was forever on the run from aliens (my dad's
enemies), Nazis (my mother's), and alluring lesbian temptresses
(from both sides of the family).
| "If my
mother owns any bracelets of submission, I don't want to hear
about it." |
Now, it would be inappropriate of me to explain
exactly how my parents came to be courting, though I can understand
the question arising. Since one of them lived in the man-free
utopia of Paradise Island, and the other spent much of his life
in the 25th century, they would seem to be an unlikely pairing.
In actual fact, the explanation is very simple. Strange as it
may seem, I'm actually lying.
My parents are not Buck and Diana. My parents
are not even Gil Gerard and Lynda Carter. No, my parents are David
and Geraldine Wheeler, a retired journalist and a painter. My
father has never been anywhere near the 25th century, and if my
mother owns any bracelets of submission, I don't want to hear
about it.
Yet all evidence to the contrary, this isn't all
just deluded rambling. In actual fact, my parents are the same
ages as Buck Rogers and Wonder Woman. Admittedly, the resemblance
ends pretty quickly. My father was perhaps once a little more
like another comic book contemporary, the boy reporter Tintin,
and as strong willed as my mother is, she never did lasso bank
robbers or wear a fetching tiara. I'm not sorry, though. My parents
are big enough heroes already in m eyes, and they've lived full
and interesting lives.
Now we have arrived at the 21st century, all quibbling
aside, and we edge a hundred years closer to Buck's "future".
So I find myself wondering; a hundred years from now, will Buck
and Tweaky and Wilma Deering be reading comic books? Will they
settle down to the latest pamphlet from the House of Ideas while
waiting for the next interstellar dogfight to crop up? Because
in the past few decades, my father has traveled the world and
interviewed the powerful and the famous. My mother has achieved
the greatest feat of all in raising four children, and still managed
to work, paint, and become a respectable pillar of society. They
have both lived a lifetime, and kept busy in doing so. Comics
have been around just as long. Longer, in fact, in some form or
another. In that same time, what exactly have comics been doing?
If the medium hopes to last, how exactly does it plan to do so?
Buck Rogers was the first American science-fiction
hero in comics, and Wonder Woman was the archetypal creation of
respected psychologist William Marston. They were both immensely
innovative ideas. Unfortunately, they were so big and clever that
almost everyone who followed them did so under their shadow, and
made little effort to build on the innovation. On the contrary;
much of the purity of Buck and the depth of Diana has been drained
away over the years. Super-heroes still reign supreme, and while
super-heroes are not in themselves a bad thing, the version of
them that we see today does not often live up to the legacy of
madness and creativity set by the originals. There's a lot of
crap in any medium, but really, comics do seem to get more than
their fair share.
| "The purity
of Buck and the depth of Diana has been drained away over
the years." |
It doesn't mean the industry is dead, though.
It doesn't mean Buck won't be reading comics in the 25th
century. This industry often stumbles, often falls, but always
carries on. The doomsayers proclaim that we are living in the
end times, but that simply isn't true. The art form is not going
to die. It will never attain the success of its big brother cinema,
which has been around just as long, and it has found itself playing
second fiddle to video games, because they too have found a broad
appeal, but just measuring it against the yardstick of other art
forms is foolish. Not all art was created equal. Comics don't
need to aspire to be as big as cinema or games. They do need to
learn a lesson, though. Cinema and video games have a broad appeal.
Comics do not. Comics have never done much to broaden their appeal.
Not in any concerted way. Comics remain fixed on the same old
ideas, with only a fractional effort being made to expand that
audience. The industry needs to innovate, the same way other media
do. The same way comics used to do.
I inherited nothing genetic from Buck Rogers and
Wonder Woman. What I did inherit was a medium, an art form, and
an industry that has been riding their wave and living off their
ideas for the best part of a century. In a lifetime, the medium
has not done anywhere near enough to stretch to its full potential.
In fact, it's fair to say, comics just haven't
lived.

Andrew Wheeler is an upstanding young lad.
Back
Attitude | ProFile
| Industrial
Interviews | Reviews
| Pi Comics
Talkback | Archives
| Gallery
|