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THE
SANDMAN COMPANION
Gaiman's meisterwerk comes under the eye of literary analysis.
Writer:
Hy Bender
Book
Published by DC Vertigo/Titan Books 1999
$19.95/£13.99
Reviewed
by Maria Sabatowski
If
anything, it's a surprise that this book hasn't been done before.
Considering SANDMAN's continually extraordinary sales,
and widespread appeal to many people who "don't read comics,"
it's quite amazing. But worth it; The lapsed time between SANDMAN's
actual run and this book's publication help to give a healthy
sense of perspective.
Bender
is an accomplished writer, most famous for some of the very successful
series of "Dummies" Internet books. He's also a fiction writer
and, it becomes clear, a big fan of SANDMAN and Neil Gaiman
in general. The advantage such a pedigree gives him is one of
research, and this work has obviously been somewhat of a labour
of love for Bender.
| "Even
the most ardent SANDMAN completist will find something
they didn't know in here" |
The
book's format is very simple and clear; each of the main chapters
deals with one of the SANDMAN collections, in publishing
order. The chapters start with a fairly straightforward account
of the story events in each collection, followed by an overview
of "Things to look for" -- symbology, cross-referencing, literary
influence and so on -- then finally an extensive interview with
Gaiman himself.
Also
scattered around are boxouts and snippets of comments from artists,
letterers and colourists who contributed to the series, and a
section of colour illustrations showcasing trading card art, foreign
edition covers, statuettes and more.
The
highlight of the book is the lengthy interview with Gaiman in
each chapter; candid and in-depth, even the most ardent SANDMAN
completist will find something they didn't know in here. Also
worthy are the examinations of symbology and references; again,
full of information which only someone who has clearly read and
re-read SANDMAN as much as Bender (and with a few dozen
reference works on classical mythology to hand, by the looks of
it) will have picked up.
There
are some instances, both in the interviews and reference sections,
which don't quite ring true -- cases of over-examination and,
frankly, just reading far too much into a single panel do occur.
Thankfully, though, they are few.
| "Possibly the best
thing about this book is that it could have been simply terrible...
Mercifully, we're spared." |
The
overall impression one gets from this book is how much Bender
obviously admires SANDMAN and Gaiman, but (again thankfully)
this never tips over into blatant sycophancy. What we are left
with is a fair analysis of the work, and a book which will undoubtedly
encourage people to re-read SANDMAN (again!), this time
with perhaps a greater understanding.
Possibly
the best thing about this book is that it could have been simply
terrible. We could have been subjected to family tree diagrams,
ridiculous minutae detailing a character's breakfast habits, or
pop-psychological analyses of various protagonists (something
the VAMPIRE COMPANION, a similar book on Anne Rice's Vampire Chronicles,
was assuredly guilty of).
Mercifully,
we're spared all of this. Instead we have a broader overview,
a lit-crit which doesn't read like a school thesis, and an insight
into what makes SANDMAN tick.
Recommended

Maria
Sabatowski is a regular contributor to PopImage.
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