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ALL OVER THE WORLD
By
JAn.
I came
straight home after work, as I would on almost every other day. As
I was closing the front door a voice came from out of the darkness
and scared me half to death.
"Hello
JAn." the voice monotoned.
A light
switch was thrown and a standing lamp illuminated my brother sitting
in the comfortable armchair in my living room.
"Andee!
Man, you scared the crap out of me." I blurted at him as I made
my way into the room.
"My
apologies brother." He smiled his thin-lipped smile, "Have
you perchance been to the comics book and comic book related merchandise
store?"
"Yeah,
I went and got some comics. Why?" It seemed odd that he would
be asking me about comics, as my brother usually didn’t care for the
things.
"I
was wondering if perhaps in your weekly haul you picked up any of
the so called ‘retro’ books?" The distaste was so evident in
his mouth as he spat out that word. Retro.
"I
don’t know which books you are talking about…" I said not altogether
honestly, but I wanted to hear what he was going to say.
"Well..."
He paused for a moment, " Well… It is a style, a mood if you
will, of comic book which has recently become prevalent in the industry.
I guess the three best exponents of the style would have to be Astro
City written by Kurt Busiek, Alan Moore’s Tom Strong and Warren Ellis’
Planetary."
"Whoa,
hold on there Andee. I’ve read a couple of issues of all three books
and I agree with what you’re saying about the first two, but I don’t
think that Planetary is a retro book"
"JAn,
please, pay attention. Granted the style of writing maybe very modern
and very Warren Ellis, but at the same time the way it plays with
styles, situations and characters give it quite a retro feel."
Andee paused, took a sip from the glass on the table next to him and
looked around before finally setting his gaze slightly above my right
shoulder. An action which quite unnerved me no small measure.
"I
still don’t really get it Andee." I said
"Look,
It’s really easy!" He shouted before settling down. "Sorry,
but it really is. The Planetary team explores phenomena in the Wildstorm
world. Following me?"
I nodded.
"Now,
to us, these ‘phenomena’ are represented by comic book genres and
pop-culture conventions. Do you follow?"
"Yeah,
I’m getting it so far." I was.
Andee
continued, still looking over my shoulder "With each issue we
further explore the history or evolution of comic books. We are the
archaeologists along with the Planetary team. As they learn we learn,
as they laugh at oddities so too we laugh at the parts of comic books
history best left behind. No where is this more evident than in the
‘Vertigo’ issue."
"Yeah,
I guess I agree with you… But isn’t pastiche a really post modern
thing to do? Post-modern, thus recent, thus not retro?"
"I
agree that pastiche in comic books is a relatively recent thing, along
with sampling in music. Both probably owe quite a lot to William Burrough’s
cut-ups experiments, but Planetary is more than just pastiche."
"It
is?" I was beginning to get confused.
"It
is. Most comic book pastiche is used, like musical sampling, to simply
enhance a work or at its worst, ride the coat tails, so to speak,
of the original. Planetary employs the styles of days past for two
main reasons. Firstly to display before us what has gone before so
that we may have a better understanding of where we are going and
secondly to show us where we should have never gone and will hopefully
never go again."
"Oka…"
I began when Andee held up a halting hand.
"But
the thing which makes it take on that retro feel, is something, ironically,
quite progressive. The expression of big ideas, concepts which make
your eyes widen and situations which drop your jaw, things which are
sadly lacking in modern comic books."
"You’re
losing me again. Explain why this is important?"
"Most
modern comics books are concerned with the micro scale. Analysing
tiny situations and intricate details; the complete dissection and
de-construction of the superhero in mainstream comics, and peoples’
lives in most alternative ones. Yet comics with their unlimited ‘special
effects’ budgets and immediacy of ideas were designed for big things.
Truly mad ideas by creators who quite often draw on inspiration from
the fringes of what is considered normal society."
"I
get it. It’s like a movie takes two hours to watch and a novel a couple
of days, but a comic only takes ten minutes so it had better leave
an impact, right?" I felt quite proud of myself.
"Precisely.
And Planetary leaves one of the best impacts of any comic book available.
You really should be buying it."
"No,
I don’t think so. I’m just not that interested."
"JAn.
I really think…"
"That’s
it!" I really had enough of the way he avoided my eyes throughout
the entire conversation, "What are you looking at?"
"Nothing
JAn, it’s nothing at all." Came the answer.
"Sure."
I spun to gaze over my shoulder.
There,
behind me, stood a small, nervous looking man holding a que card.
On the card were printed the words ‘NOTHING JAn, IT’S NOTHING AT ALL’
and as I watched, the guy dropped that card and revealed another which
read:
"Oh-oh.
Now you’ve done it."
I looked
around me and nearly lost my mind.
From
out of nowhere workers appeared in my house, and began to take furniture
out. Further teams of workers were disassembling the walls. Soon I
could see sky where the ceiling used to be.
"You
should have just trusted me on the Planetary JAn. It didn’t have to
be like this"
I felt
a slight sting in my neck and looked up to find a man holding a large
syringe injecting me with a greenish liquid.
The last
thing I saw clearly was my ‘brother’ getting up, walking over to me
and dropping something onto the ground beside my head.
I don’t
know how long I was out, but when I awoke, the place where my house
once stood was nothing but an empty field. Stunned as I was I still
managed to notice that what my ‘brother’ had dropped was the latest
issue of Planetary.
I wanted
to just leave it lying there but since I really had nothing better
to do, I grabbed it and began to read.
The moral
of this story is: Buy Planetary before the person you assumed was
your brother strips you of your life and leaves you with no other
choice.

Jan is a regular columnist for PopImage.

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